As the industrial revolution transformed the British countryside, replacing fields with factories, painters turned to landscape. Constable painted his native suffolk, where he spent his childhood, and imbued it with a sense of affection for rural life. Turner, on the other hand, created dramatic and sublime landscapes with a sense of the heroic or even the tragic. What both of these artists have in common is a desire to make landscape painting—understood as a low subject by the Academy which dictated official views on art—carry serious meaning.
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